让-加布瑞·贝里奥导演执导的《我们的失败》，2019年上映至今获得了不错的口碑，由Swann Agha,Natasha Andraos,Ghaïs Bertout-Ourabah,Jackson Ellis,Julie Escobedo,Rosalie Magnan,Alaa Mansour,Marine Rouie,Floricia Yamondo,Martin Zellner等主演的一部不错的其他。

我们的失败剧情：

　　(👷)2018年(nián )5月(yuè )和(hé )(📒)6月，Jean Gabriel P_Riot与位于Ivry Sur Seine的一所(🌗)高中(zhōng )的10名电(⚫)影班(bān )学生合(hé )作，开展了一项将电影与政治结合起来的(de )项目。学生(shēng )们在摄像机前(😻)和摄像(xiàng )(🚑)机(jī )(🐶)后工作，重(🐖)新布置罢(⏺)工、抵抗(kàng )(🧚)和(🚣)劳资(zī )纠纷的场景，这些电影(yǐng )可以追溯到20世(💻)纪60年代末到70年代末，包(bāo )括让-卢克-戈达尔(⛏)和阿兰-坦(tǎn )(🔔)纳的电影。nos d_faites汇集了(le )调查结果，并增(💝)加了采(cǎi )访，在采(cǎi )(🛎)访(fǎng )中，导(dǎo )演询问(➡)学生他们刚(gāng )刚表演的场景(jǐng )，关于“阶(jiē )(🐩)级”、“工会”和“政(🤔)治参(🔍)与”等概念，以及更广泛的(de )(♌)社(💸)会背景。这是一(🚲)个简单，但尖锐的设置(🔫)，让(ràng )观众(zhòng )一瞥(piē )年轻一代如何(hé )看(🕕)待政(👗)治和过去的政(zhèng )治(👚)电影。这(zhè )部影片(❓)还记录(🕺)了(le )导演试(🚤)图激怒学(xué )生(❄)的企(🈺)图。在导演和学生似乎处(💕)于平(🚪)等(děng )地(🐱)位的遭遇(😲)中，基(jī )于(✒)从(cóng )未见(jiàn )过的导演更(gèng )(🎞)多类似于(♊)老师的提问，以及此时(🎆)此刻(kè )对(🍝)革命的思考：起(🔮)义的表现(xiàn )(🦐)反映了同样的情况。这(zhè )会导致一个(🐼)真(🕤)实的(🥈)发生吗？
　　In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?
　　回到1968年(nián )的电影(yǐng )时代，继续对重放(➗)从(🏈)过去(qù )跳出来的电(🐰)影(yǐng )节(jiē )选的年轻人进行今天的采访，我们(men )的(de )失败(📐)描绘(📯)了(le )我(wǒ )们(😌)当前与政治(🚻)的关系(xì )。我们(⛴)的失败，还是我(🍫)们(men )有足(🎺)够的力量来面对今天的混(⛪)乱？
　　(🕙)By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?

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