2018年(🐽)5月(📼)和6月，Jean Gabriel P_Riot与位于(yú )Ivry Sur Seine的(🎏)一所高中的10名(🖲)电影班学(🔸)生合作，开展(zhǎn )了(le )一项将电影(✳)与政治(🛹)结(jié )合起来(lái )的项目(📞)。学生(🥞)们在摄像机前(qián )和摄像机(jī )(🐶)后工作(zuò )(🤯)，重(chóng )新布置(💞)罢工、抵抗和劳资纠纷的场景(jǐng )，这些电影可以追溯到20世(shì )纪60年代(✋)末(🐑)到70年代末，包括让(🙉)-卢克-戈(🈴)达尔和阿兰-坦纳的电(diàn )影。nos d_faites汇集了调查结果，并增(zēng )加(jiā )了采访(fǎng )，在采访中，导演(yǎn )询问学生(shēng )他们刚刚(gāng )表演的场(🌪)景，关(guān )于“阶级”、“工(gōng )会”和“政治参与”等概念，以及更广(guǎng )泛(fàn )的社(shè )会背(🐞)景。这是一个简单，但尖锐的设置，让观众一瞥(⏳)年(nián )(🏓)轻一(🎐)代如何看待政(👗)治和过去(qù )的政(zhèng )治电影。这部影片(❓)还(📬)记录(🕺)了导(🎴)演试(🚤)图激怒学(🏸)生(❄)的(de )企图。在(🔮)导演(yǎn )和学生(🍯)似乎处(chù )于(yú )平等地位的遭遇(😲)中(zhōng )，基于从未见过的导演更多(duō )类似于老师的(🏗)提问，以(🐣)及此时此刻(kè )对革命(🍈)的思(sī )考(👔)：起(qǐ )义(yì )的表(🔝)现反映(🍏)了同样(yàng )的情况。这会(😂)导(dǎo )致一(👧)个真(zhēn )实(⛱)的发生吗？
　　In May and June 2018, Jean-Gabriel Pé(🍆)riot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos dé(🧛)faites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?
　(🚢)　回到(dào )1968年的(❗)电影(yǐng )时代，继(❌)续对重(chóng )放从过去跳出来的电(diàn )影(👙)节选的年轻(qīng )(🏴)人进行今天的采访(fǎng )(✏)，我们的失败描(🕰)绘(huì )了(🌯)我们当前(🚳)与政(🤞)治的关系(xì )。我们的失(shī )败，还是(shì )我们(men )有(🚜)足够的(👟)力(lì )量来(🍛)面(⏳)对今天的混(hún )乱？
　　(🕙)By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?