马克·詹金导演执导的《诱饵2019》，2019年上映至今获得了不错的口碑，由Morgan Val Baker,Georgia Ellery,Martin Ellis,Chloe Endean,Stacey Guthrie,Jowan Jacobs,Giles King,Edward Rowe,西蒙·谢泼德,特里斯坦·斯特罗克,Mary Woodvine等主演的一部不错的剧情片。

诱饵2019剧情：

　　康沃尔(ěr )渔村的风景明信(🐌)片田园(yuán )诗误导(😘)了人们。虽然过去(🍥)钓鱼是一种养家(jiā )糊口的方(🔬)式，但如今(jīn )富有的伦敦游(⏬)客(kè )纷纷下(xià )(🌗)山，取(qǔ )代(😎)了当地人，当地(👑)人的生(shēng )计(🛍)因此受(shòu )到威胁。史蒂文和马丁兄弟的关(guān )系也很(🥞)紧张。马(mǎ )丁是一个没有船的渔夫，因为史(shǐ )蒂(⏺)文开始用它来(lái )(🔩)为一(yī )整(zhěng )天的游客提供更赚(zuàn )钱(🦗)的旅游。他(tā )们(men )卖(mài )掉(diào )了这座家庭别墅，现在看来，最(zuì )(🙀)后一(yī )场(chǎng )战斗是(🈴)和新主人在海边的停车位(⛳)上(😍)展开。然而，情况很快就(jiù )失控(🤖)了，而不仅(jǐn )仅是(🈁)因为车轮(💔)夹钳。
　　Bait是一(⛏)种黑白，手工(gōng )制(💅)作，16毫(🐩)米(mǐ )胶片制作的(de )电(🎥)影。许多(📧)关于鱼、(⏲)网、龙虾(xiā )、长靴、绳结和渔篮的特(tè )写镜头让人(rén )(🌂)想起(🌱)了蒙太奇景点的(de )(🔥)理论。对不同社会阶(🔲)层的描(😳)述——可(🚻)以说(🔪)是阶级(jí )关系(👩)——也让(❓)人(📬)想(✖)起(qǐ )了英国电(diàn )影中(🍹)的社(🏸)会(huì )(❄)现实(🈺)主义传统。然而(ér )，最(zuì )重要的是(🚪)，在影(yǐng )像中(zhōng )不同(tóng )层(céng )次的电(diàn )影(🈸)历(🙅)史参(🛌)考文(🕵)献之下，当前许多(🏗)政治关联正在等待(⛎)被发现。
　　The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.
　　(🚪)Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.

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